Recording Studio

Studio location: 630 Flushing Ave, Brooklyn, NY 11206

Cadac J-Type – 32 channel Cadac 6907 preamps

The Cadac J-Type has a uniquely enviable reputation when it comes to delivering faultless performances night after night, year after year, on almost every imaginable type of production. It has proved itself in critical applications where quality is paramount. 
Cadac J-Type consoles were used by the world’s top artists producing legendary recordings, such as Queen’s Bohemian Rhapsody and Rod Stewart’s Maggie May. The Cadac combination of innovative engineering and superb audio quality became a legend in its own right.

This amazing unit was recently decommissioned  from the well known musical on Broadway, NYC – “Jersey Boys”

3-room studio setup:

Control Room – 12′ x 20′
Live Room – 20′ x 20′
Iso Booth – 8′ x 6′


Neve 1073s and 1087s
API (4)
(2) CAPI VP26 (SL2520 red dot)
(2) Hairball Audio Lola (John Hardy 990)
AML ez1073-500
Oram Octasonic (8ch)(2) Rupert Neve Designs 551
AML ez1073-500


Distressors  (x2 – matched pair)
DBX 160 (x2)
(2) Great River PWM-501
Warm Audio WA2A
Hairball 1176 Rev A
GSSL Bus Compressor (SSL 4000)
(2)DBX 166


Yamaha NS10s
APS Aeon
Tannoy PBM 6.5 II


Pro Tools 12 HD
Protools 9
Logic 9 + 10
Maschine 2
Live 8 + 9

Apollo 16 (blackface)
Apollo Quad (silverface)
(2) Motu 828 mkII (modified by Black Lion Audio)
Apogee Duet


(2) B.K. Butler Real Tube Direct
SansAmp RBI
Countryman Type 85
Radial JDI
Radial ProRMP


Eventide H3000 D/SE
Deltalab Effectron II ADM 1024
DIYRE Colour Pallette (15ips, TM79)
Yamaha REV500

MICs – Dynamic
AKD D112(2)
Sennheiser MD421 (x2)
Sennheiser e609 (x2)
Sennheiser e604 (x4)
​Shure SM48
Shure SM57 (x3)
Shure SM58
Shure SM7B
Shure Unidyne III 544
AKG D790

MICs – Condenser

Audio Technica AT4033)
Audix D2
AKG C1000s (x2)
AKG 414 XLS (Matched pair)
Advanced Audio CM48T
Neumann TLM 193
MJE NT1-A (Rode w/ Michael Joly mods)
Rode NT1-A
Lauten Audio LA-120 (matched pair)

MICs – Ribbon

Cascade Vin-Jet (w/ Lundhall)

Wide selection of UAD + Waves + Autotune + Izotope plugins and many more

DW Collector’s Series (Maple), Orange Sparkle Wrap
22″ Kick, 12″, 14″, 16″ Toms

1992 Fender Stratocaster (Jazzmaster pickups)
2013 Fender Precision Bass
Seagull Entourage Grand Rustic Acoustic Guitar

Mesa/Boogie Studio .22+
Mesa/Boogie Nomad 100W
Fender '65 Deluxe Reverb (reissue)
Harmony H515

Analog Synths
Moog Sonic Six
Roland Juno 106
Elektron Analog Four
Korg Volca Beats (drum machine)
Arturia Drumbrute (drum machine)

Analogman Chorus+Boss Harmonist PS-6+Dwarfcraft/DeviEver Big Distortion Sound Machine+Electro Faustus EF103 Guitar Disrupter
+Electro-Harmonix Small Clone EH4600 Full Chorus+Electro-Harmonix Holy Grail Reverb+Electro-Harmonix Stereo Pulsar+Electro-Harmonix 720 Looper+Geporge Dennis Parametric Wah-Volume+Mod Kits Piledriver Boost+Malekko Echo 600 Dark+Morley Echo-Chorus-Vibrato+Mooer Ninety Orange Phaser+SolidGold FX Super Drive+T-Rex Replay Boy....and many more

Vocal Tracking - Special

4-hour session with engineer

Record vocals over your tracks and add some production. Stack the lead vocals, layer up the choruses, Adlibs, work on some edits. Use our wonderful live room for a larger or our iso booth for a tight sound. You'll get a quick mix after your session.


Demo Recording

10-hour session with engineer
Once the song is written to the satisfaction of the artist or producer, recording a demo is usually the next step in the music production process. A demo will allow you to audition ideas without the need to necessarily perfect them.


Drum Tracking

8-hour session with engineer [2-hour setup required]

Multi track your drums while you're getting a great sound from our live room. Record with awesome mic selections and preamps at HD quality.